contemporary opera

Two of the country's oldest and most venerated music institutions, the New York Philharmonic and the Metropolitan Opera, are beginning their seasons with a change in artistic leadership. Both organizations are grappling with 21st century issues of bringing new audiences in and convincing them that centuries-old music forms are central to their lives today.

If you're looking for the best date-night cuddle soundtrack, if you need an outlet for your own joy, passion and despair — or if you just want to have a great time, join me Friday nights at 7 for Classical 101's Front Row Center.

It's a new program, hosted by yours truly, all about opera and more.

In 1983, the Canadian Opera Company in Toronto tried a grand experiment. While the singers performed Elektra in German onstage, simultaneous translations in English were projected above the stage. These "supertitles," as they've come to be known, were quickly adopted at opera houses and are now an expected part of the opera-going experience.