Bob Boilen | WOSU Radio

Bob Boilen

In 1988, a determined Bob Boilen started showing up on NPR's doorstep every day, looking for a way to contribute his skills in music and broadcasting to the network. His persistence paid off, and within a few weeks he was hired, on a temporary basis, to work for All Things Considered. Less than a year later, Boilen was directing the show and continued to do so for the next 18 years.

Significant listener interest in the music being played on All Things Considered, along with his and NPR's vast music collections, gave Boilen the idea to start All Songs Considered. "It was obvious to me that listeners of NPR were also lovers of music, but what also became obvious by 1999 was that the web was going to be the place to discover new music and that we wanted to be the premiere site for music discovery." The show launched in 2000, with Boilen as its host.

Before coming to NPR, Boilen found many ways to share his passion for music. From 1982 to 1986 he worked for Baltimore's Impossible Theater, where he held many posts, including composer, technician, and recording engineer. Boilen became part of music history in 1983 with the Impossible Theater production Whiz Bang, a History of Sound. In it, Boilen became one of the first composers to use audio sampling — in this case, sounds from nature and the industrial revolution. He was interviewed about Whiz Bang by Susan Stamberg on All Things Considered.

In 1985, the Washington City Paper voted Boilen 'Performance Artist of the Year.' An electronic musician, he received a grant from the Washington D.C. Commission on the Arts and Humanities to work on electronic music and performance.

After Impossible Theater, Boilen worked as a producer for a television station in Washington, D.C. He produced several projects, including a music video show. In 1997, he started producing an online show called Science Live for the Discovery Channel. He also put out two albums with his psychedelic band, Tiny Desk Unit, during the late 1970s and early 1980s. Boilen still composes and performs music and posts it for free on his website BobBoilen.info. He performs contradance music and has a podcast of contradance music that he produces with his son Julian.

Boilen's first book, Your Song Changed My Life, was published in April 2016 by HarperCollins.

Andrew Marlin and Emily Frantz made everything seem so easy, pulling a few acoustic instruments out of their car and, in no time, huddling around a single microphone behind the Tiny Desk. With that, Mandolin Orange was ready.

Emily bowed her fiddle while Andrew strummed a guitar and sang about his mom being carried away in a hearse. "Golden Embers" is the lead-off track to Mandolin Orange's 2019 album Tides of a Teardrop. This song shines a light on the darkness that fell on Andrew's family when he was 18.

Bob Boilen and I are back together again to share some of the phenomenal new music we've been hearing, starting with Brittany Howard's stirring and inspired "He Loves Me," from her upcoming solo debut Jaime. She named the album after her sister who passed away when they were both teenagers. The music is a celebration of the human spirit.

Note: With hosts Bob Boilen and Robin Hilton away this week, we've got an encore presentation of The Worst Songs Of All Time, from Feb. 2014.


Guitarist, actor, writer (and former Monitor Mix blogger) Carrie Brownstein joins us, along with NPR Music's Stephen Thompson, to do something we don't normally do: Talk about the songs we really, really don't like.

For the past 14 years, producer Andy Zax has been digging into the music and sounds of Woodstock, that culture-shifting music festival that unfolded in August of 1969. Now, 50 years later, all 32 performances — the audio announcements, the entirety of this three-day festival in upstate New York — is about to be released by Rhino Records in a 38-disc box titled Woodstock - Back To The Garden:The Definitive 50th Anniversary Archive.

I was thrilled to have the gifted voice of Tamino gracing the Tiny Desk. But as charged as I was, that didn't match the excitement that Colin Greenwood expressed as we rode up the elevator. The Radiohead bassist (and bassist for this special performance) shared a brief text exchange with his son, basically telling his hugely accomplished dad that playing the Tiny Desk was "the coolest thing he'd ever done!" That made us all smile.

This month marks 60 years since the very first Newport Folk Festival. NPR has been covering the event since its rebirth in 2008. Jay Sweet, now the executive producer, was mostly responsible for the festival's revival, booking unexpected bands and reinvigorating the spirit of the annual gathering. It's long been a place where musicians would collaborate and make music often steeped in social justice.

We've been covering Priests, this fabulous, punk-infused art band, since 2013. I've seen them a lot (they're based here in D.C.). So the request of an upright piano was the last thing I expected when singer Katie Alice Greer and guitarist G.L. Jaguar talked about doing a Tiny Desk Concert. But we wheeled the Yamaha upright in place and they invited their accompanist Mary Voutsas to join bandmates Daniele Yandel and Alexandra Tyson. What we have is a kinder, gentler and starker version of this great band.

To be clear, sad songs make up the majority of this week's All Songs Considered. So, if you have a love for the type of music you might hear from Julien Baker or Japanese Breakfast, we have five new artists to add to your playlist, including a 19-year-old singer from Belgium who goes by the name Asia; The artist known as Dolly Valentine asks, "Do you know where you want to go?" And there are more beautiful but crushing tunes brought to you by "the dream team" (NPR's Lyndsey McKenna and Marissa Lorusso).

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In the NPR parking garage, Gemma Doherty pulled her 34-string lever harp from the band's vehicle; it seemed bigger than all of us. The other instruments were less exotic — a few small synthesizers, a sampler, electronic drum pads — but I was feeling thrilled by what was about to unfold.

Lucy Dacus / YouTube

Lucy Dacus is conflicted about America.

Most cities tend to have a voice, but few quite as loud or interesting as Seattle's. This is a city that gave us Jimi Hendrix, Nirvana and Pearl Jam but also the softer, more introspective sounds of Fleet Foxes, The Postal Service and Death Cab for Cutie.

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In the course of a few songs at the Tiny Desk, Imogen Heap took us through her many musical talents. The concert began with her old Frou Frou musical partner, Guy Sigsworth — and their first new song in 17 years — and ended with an extraordinary demonstration and performance of her high-tech musical gloves.

Your picks for the best new artists of 2019 (so far) include a lot of bands and musicians we've been following for a while – Maggie Rogers, Stella Donnelly, Nilüfer Yanya and Jade Bird have all been releasing music for several years – but they didn't drop an official full-length debut until this year.

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