Classical 101 Podcasts

Mozart in a red coat

If you followed the previous episode of The Mozart Minute, then you likely wish to know how the birth of Wolfgang and Constanze’s firstborn turned out.

Mozart in a red coat

If you’ve ever known an expectant father, then you’ve probably witnessed that unique mixture of masculine responsibility, fear and uncontainable excitement that soon-to-be first-time dads seem to embody.

Wolfgang Mozart was no different during his wife, Constanze’s, first pregnancy, and the closer Constaze’s due date came, the greater Mozart’s obvious anticipation of the birth.

John Osborn as Rodrigo, Joyce DiDonato as Elena, and Juan Diego Flórez as Giacomo V in Rossini's "La Donna del Lago."
Ken Howard / Metropolitan Opera

  The Metropolitan Opera presents Rossini’s La donna del Lago live from the Metropolitan Opera in HD on Saturday, March 14 at 1 p.m.

For a list of local theaters, including Lenox and Easton, go here:

Opera Abbreviated presents my, hopefully, pithy take on operas featured on the Met’s Live in HD series. Listen up!

Mozart in a red coat

In February 1783, Mozart was a happy newlywed, an expectant father and a brilliant composer in the dawn of what he knew could be an illustrious career. In short, everything was going perfectly well for Mozart.

Well, almost everything. At the time, Mozart was having a bit of a cash flow issue. The details are a bit sketchy, but it seems Mozart owed a debt to a merchant, who had decided to call in the loan. 

Anna Netrebko in the title role of Tchaikovsky's Iolanta
Marty Sohl/Metropolitan Opera


We have two short operas on the same program for the next Metropolitan Opera Live in HD presentation, Saturday, February 14 at 12:30 pm.


Now then. These may not be the ideal operas for Valentines Day! Or maybe so if you’re weird.

Opera Abbreviated introduces Iolanta and Bluebeard’s Castle.

David Danzmayr in front of the Columbus skyline
Rick Buchanan

At one time, Felix Mendelssohn and Richard Wagner were friends – kind of in an Odd Couple sort of way. Wagner would complain about someone’s conducting, Mendelssohn would think it was great. No word on who was the neat one and who was the slob. I shall keep my opinion to myself.