Classical 101

Classical 101 is Central Ohio’s source for 'round-the-clock classical music. Our hosts provide insight into classical music news from Columbus and around the world.

Find concert previews, book and record reviews, arts features, and archived audio and video of local and visiting musicians. Listen your way through our podcast archives of Opera Abbreviated and the Mozart Minute for a deeper dive into the music we play.

And check back frequently from June through August this year as we celebrate A Bernstein Summer. We're marking the 100th anniversary of the birth of the great composer, conductor and educator Leonard Bernstein with a series of local radio programs, podcasts, modules and blog posts.

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jennifer koh holding her violin
Juergen Frank / jenniferkoh.com

The Columbus Symphony welcomes composer Andreia Pinto Correia this weekend for the world premiere of her Ciprés (Cypresses)a work for orchestra inspired by the poetry of Federico Garcia Lorca.

Following the premiere, violinist Jennifer Koh joins the symphony as the soloist for Jean Sibelius' Concerto in D Minor. The Columbus Symphony program closes with Hector Berlioz's Symphonie Fantastique.

Music can be enjoyed in a variety of ways. For many, that means earbuds and isolation during a commute, workout or taking a walk.

Ballerina Misty Copeland dancing on stage in Swan Lake
mistycopeland.com

If all the world's a stage, Misty Copeland is a frequently featured performer. And as a classical dancer, Copeland is certainly comfortable in the spotlight.

When Johann Sebastian Bach compiled the first book of the Well-Tempered Clavier in 1722, he wrote that the 24 preludes and fugues were "for the profit and use of musical youth desirous of learning, and especially for the pastime of those already skilled in this study."

color photo of composer Caroline Shaw
Kait Moreno / carolineshaw.com

During Women’s History Month, I continue my conversation with one of today’s most acclaimed women composers, Pulitzer Prize-winner Caroline Shaw.

In part 2 of my October 2017 interview with Shaw, we talk about some of the most significant influences — musical and otherwise — on her music, the state of new music today, why music by women composers remains underrepresented on concert programs and how to begin changing that tradition.

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The Columbus Symphony broadcast series returns to Classical 101 at 1 p.m. Sunday, April 1.

We're featuring the full line-up of 2017-18 Classical Series programs by the Columbus Symphony and guests, Sunday afternoons through June 24. Ed Thompson recorded the concerts in the Ohio and Southern theaters.

color photo of composer Caroline Shaw
Kait Moreno / carolineshaw.com

As the saying goes, everything has a price. Had the entry fee for the 2013 Pulitzer Prize competition in music been more than $50, Caroline Shaw might not have become the youngest person ever to win that coveted award.

color photo of REBEL Baroque musicians holding instruments
Howard Goodman / rebelbaroque.com

Last Friday afternoon, Classical 101 really did go for Baroque.

Our crew went to Capital University’s Mees Auditorium for a rehearsal of acclaimed ensemble REBEL Baroque and two of the world’s foremost Baroque dancers, Paige Whitley-Bauguess and Thomas Baird.

Wikimedia Commons

Maybe we have Antiques Roadshow to thank. Because of the cultural phenomenon of that PBS television show, many of us view anything found in an attic, basement or forgotten closet as a potential treasure. And now in the Digital Age, it’s easier than ever to quickly research and back up a hunch about the value of found items.

New finds and rediscoveries can even amend history as we know it. Composer Florence Price has been, in large part due to race and gender, a footnote in American musical history when she should have been a chapter. But an unlikely unearthing of Price papers has revived her story and brought to light music that was thought to be lost.

color photo of Maren Montalbano and Melissa Dunphy
melissadunphy.com

A young Norse woman dresses up as a man, sails to the distant island where her ancestors are buried and demands that her dead father hand over a powerful sword as her birthright.

No, it’s not a role-playing game. It’s Philadelphia-based composer Melissa Dunphy’s Hervararkviða​, or The Incantation of Hervor, a set of three songs for mezzo-soprano, violin and harp whose texts tell a story as unusual as the sound-world Dunphy’s score creates for it.

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