Recently I was reminded that Mozart wrote his final opera, Die Zauberflöte "The Magic Flute," as entertainment for a suburban theater outside Vienna. He expected the audience to be engaged, energetic and joyful. After all, those elements are clear in Mozart's music, and Emanuel Schikaneder's Theater auf der Wieden included a tavern and a casino. Between wine, billiards and Mozart, a good time was had by all.
No wine and no billiards, but Opera Columbus did a smashing job last week with an abridged Magic Flute adapted for kids.